The early models had shallow neck sets that increased in angle around 1908. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. Every banjo has a story. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! At the time, the Nick Lucas model was the largest flat-top Gibson offered. Its difficult to positively serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. Gibson changed the name again in the 1950s to the SJ-200. Depending on the selected source, there is disagreement about these numbers. Prices were typically 30-40% more than other Gibson solid bodies; the Les Paul Recording, LP Custom and SG Custom. (Folk Jumbo Natural and Folk-25). There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. 67 Banjo Headstock Designs ideas | banjo, guitar inlay, mandolin Take a closer look at the serial number found on the back of the headstock and reference the guide below. By the records, between 200 and 300 were built. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. Free or royalty-free photos and images. Modern Gibson Logo open "b" and "o". I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Neck s/n DA5063 with L&B headstock inlay: T. Biggs : 1932 : 66-1: PB-3 : Shipped August 7, 1935: Gibson Shipping Ledger : 1932 : 66-2: PB-3: Flathead: 1-piece: Serial Numbers - Acoustic Music Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. The rosettes were simple white-black-white. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. AMF ceased production of LoPrinzi guitars. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. Considering that Gibson was using a double X bracing for most of its other flat top guitars during that period, these instruments, with their modified fan bracing, stand out as some of the better sounding Gibsons of the time. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. Like everything else connected to instrument identification issues - there are many exceptions. The first Gibson J45 guitars were only slightly different from the discontinued J-35. Dark stained plain birch back and sides. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. identify the manufacturer of these banjos in many cases, but some identify Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. Introduced 1954, discontinued in 1978, reintroduced in the 1980s and still produced today. It is, therefore, not unusual to find older mandolins with replacement bridges. the teacher or distributor. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. banjo headstock identification Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The system is not known for certain but might have restarted as consecutive numbers beginning at 1000. side of the top of the peghead (see last set of pictures below). Angled (Tilted-Back) Headstock. Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. Lion Banjo Mfg Co - Rock Rapids, Iowa - S. Nathaniel Adams PDF Gibson Banjo Construction Evolution According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. The Lyon & Healy peghead shape used on most of The guitar designs, however, were not the problem. Serial Search - Gibson The Maurer Company records have been lost. Leland Brilliantone (1910 1918?). MK-99 models were handcrafted and signed by Richard Schneider. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. GB -- guitar banjo. 1916 into 1921: the pin to the bridge was dropped. Go back. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. and many were left unmarked. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. Silkscreen logos - Low end models. The selected tuners varied randomly by model and year. In some cases, teachers would Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. Gibson headstock logos | My Les Paul Forum Most information about Larson Brothers instruments comes from their catalog published around 1930. The LG-Series is 2 narrower than the J-Series. Neck: mahogany single piece. On rare occasions, some dates can be found on . The J-160E was Gibsons second design for an electric flat-top guitar following the CF-100. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. Gretsch started a new serial number system. Hard-stamped serial numbers. George Youngblood of Youngbloods Music Workshop. Gibson Headstock Logos thru the years in Pictures S. S. Stewart Guitars Born of a Banjeau Maker Gold War era logo - This type is called "Banner logo". The L-5S was the first high end jazz solid body guitar. Sounds great and the instrument is very easy to play. I just received this mando-banjo I bought on e-bay and I'm hoping someone can help me identify the builder. 1923 into 1970: 1 piece mahogany necks. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. Late 1930's Thicker Gibson Logo. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. The braces were generally thin and numerous compared with other manufacturers. PB -- plectrum banjo. ss stewart presentation banjo - Google Search. As a vintage instrument dealer, I see no collectors market for banjos like yours. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. Rated 5.00 out of 5. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. The necks and heels were rounder. They were now able to get better materials. Instrumental. The further down the headstock the peg is, the shorter it will be. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. Acoustic Guitars. They were the J-45 and the Southerner Jumbo. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. 1959: Larger crown frets and the adjustable bridge. It marked the beginning of a new era for Gibson. Mando-banjo identification [Archive] - Mandolin Cafe Forum Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). department to department had 40 cubbyholes. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. 1890s into 1907: Inlaid into the top of the instrument. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. Headstocks say LoPrinzi. themselves through common hardware and design characteristics. Ebony Fretboards were generally thicker than other builders. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Introduced August 1942 and J-45s are still available today. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. Epiphone serial-number-information - identification Slanted mid 1940's Gibson Logo. The focus of the site is antique and vintage banjos and mandolins, but there are . Gibson believed that these choices would allow them to focus on their more profitable lines. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. The appointments roughly followed the Southerner Jumbo but the design was primarily electric: it had a 3-ply top with ladder bracing to reduce the low-end response for the single coil pickup placed at the base of the fretboard. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. The bracing for the new larger models was X braced: there were 3 transverse tone bars between the braces 1 more than the Martin as Gibson experimented with bracing design heavy enough to support the large tops and light enough to be resonant and responsive. Banjo not included or available. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. Different Parts Of A Banjo: The Structure And Anatomy They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. At least then you will know the model name. Maybell was a Slingerland brand name. "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. Gold-plated tuning gears, LOTS of abalone inlay. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. If you would like to use content from this page, see our Terms of Usage policy. The instruments had modified fan bracing and asymmetrical bridges. Deering. By 1941, either natural or sunburst were available. The neck is the long piece of wood that attaches to the banjo body that guides the strings along the instrument's fretting surface (called the fingerboard ). Serial number records exist for instruments built before 1975 and after 1980. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. S2M, size 2 guitar with mahogany back & sides. gibson one-of-a-kind Christmas banjos! 14" resonator on the banjo examined is probably non original (Korean). . Date Your Harmony - Harmony Guitars Its price tag was $55 as compared to the Martin D-18 at $65 and D-28 at $100. Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. I would sure like to hear what it sounds like. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. Banjo Head Types and Descriptions - Deering Banjo Company It is not clear how many were made, but it is likely that there are less than 12. Not many were sold and the production run was therefore limited to 2 years. They are available for binding that is .060 and .090 binding. The headstock face was veneered in black. The decade following saw a change in finish from varnish to shinier lacquer. There is a utility market though. In 1893, he patented a banjo neck fitted with a channel for the 5th string to pass through so it could be tuned at the headstock instead of its usual location. Jun 24, 2020 - The Art of Banjo Headstocks. Then Gibson developed the adjustable bridge. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. Semi-hollow guitar serial numbers are found inside the 'top' F-hole on a label. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. Body shape changed to square shoulder dreadnought. Identification: "A" Style mandolins were symmetrical and shaped like a teardrop. Research our price guide with auction results on 40 items from $35 to $2,928. I'm thinking it was made by the Iida folks for a NAMM show or something. You'll find Epiphone serial numbers in the standard places. If you want to use any of this information: The following are a rough guide. banjo headstock identification - assicurazione-casa.org Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. See LG-0 for materials and dimensions. The back and sides were Brazilian rosewood and the tops Adirondack red spruce. teachers who sold them to students, some of which are tagged with the name of A flourish inlay under The Gibson in the headstock. There can easily be more numbers within each year listed. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. J-L. M. N-P. Q-Sch. Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. JM, jumbo size guitar with mahogany back & sides, chrome tuners. David L. Day was in his 70s. For a period of time, this was the top of the line. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. Aria Banjo Identification - mainefasr Martin Flat Top Guitar Body Sizes and Designations: The body size designation is stamped on the neck block starting in October 1930. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made The 1975 price was $1,999. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. Information gleamed from the Mandolin Cafs website over the years. The binding on the top is b/w. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. VINTAGE BANJO IDENTIFICATION - Discussion Forums - Banjo Hangout 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. A: One of the easiest ways to determine the age of your banjo is to inspect the serial number, if it has one. 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. See also: Gibson J-160E for more historical context. The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. Epiphone Serial Number Lookup - Authority Guitar Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200). CONTACT US; Headstock Shape. Most The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. Google Play. Asian Banjos - L-Z - Fastie I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. Over time the J-35 braces began to appear scalloped. The A.C. Fairbanks Company (incorporated 1875) was succeeded in 1903 by the Vega Company (established 1889). Antique and Vintage Hall of Fame - Collectors Weekly The later pickguard clamps have a stamped patent date of July 4, 1911. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. The 1975 price was $439. I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside.
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